Lyric Mediator (Sender), 2025
Altered FM transmitter, plexiglass, “Euronorm” (Engels) storage crates, chromed light bulb, dimmer. 60 cm x 40 cm x 35 cm (h). FM range approximately 150 m. Photo: Useful Art Services
| Title | From | Year | Author | Translated by | Protocol | Order | Reader / Exhibition | Date | Venue |
|---|---|---|---|---|---|---|---|---|---|
| Se morro na rodivia | 1970 | Virgilio Piñera | Akiina Thais | Group Translation | 1 | On the Road | 27-03-25 | Rib | |
| إن كنت أموت على الطريق | 1970 | Virgilio Piñera | AZ OOR | Group Translation | 2 | On the Road | 27-03-25 | Rib | |
| jei aš žūsiu pakely | 1970 | Virgilio Piñera | Ainis Alcauskis | Group Translation | 3 | On the Road | 27-03-25 | Rib | |
| Als ik sterf op de weg | 1970 | Virgilio Piñera | Berber Meindertsma | Group Translation | 4 | On the Road | 27-03-25 | Rib | |
| Jeśli umrę na drodze | 1970 | Virgilio Piñera | Anna Luczak | Group Translation | 5 | On the Road | 27-03-25 | Rib | |
| Αν πεθάνω στο δρόμο | 1970 | Virgilio Piñera | Birds WG | Group Translation | 6 | On the Road | 27-03-25 | Rib | |
| Se muoio sulla strada | 1970 | Virgilio Piñera | Lara Parodi | Group Translation | 7 | On the Road | 27-03-25 | Rib | |
| Si je meurs sur la route | 1970 | Virgilio Piñera | Slow Reading Club & Cyriaque Villemaux & Martin Zícari | Group Translation | 8 | On the Road | 27-03-25 | Rib | |
| ⵉⵖ ⵎⵓⵜⴻⵖ ⵉⴳⴳⵉ ⵓⴱⵔⵉⴷ | 1970 | Virgilio Piñera | AZ OOR | Group Translation | 9 | On the Road | 27-03-25 | Rib | |
| Если я умру в дороге | 1970 | Virgilio Piñera | Polina Surovova | Group Translation | 10 | On the Road | 27-03-25 | Rib | |
| Hvis jeg dør på vejen | 1970 | Virgilio Piñera | Hedvig Koertz | Group Translation | 11 | On the Road | 27-03-25 | Rib | |
| Si muero en la carretera | 1970 | Virgilio Piñera | (no protocol) | 12 | On the Road | 27-03-25 | Rib | ||
| If i die on the road | 1970 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Martin Zícari | Group Translation | 13 | On the Road | 27-03-25 | Rib | |
| LEARNING (cover version) | 2025 | Slow Reading Club | [audio] | 2 | LEARNING (CD release) | 27-03-25 | Ediçōes CN | ||
| LEARNING (attachments) | 2025 | Charlie Usher | [audio] | 2 | LEARNING (CD release) | 27-03-25 | Ediçōes CN | ||
| Lyric Mediator (Sender) | 2025 | Slow Reading Club | [visual work] | 1 | Eye Below Ear | 22-03-25 | Kunsthal Mechelen | ||
Lyric Mediator (Sender), 2025 Altered FM transmitter, plexiglass, “Euronorm” (Engels) storage crates, chromed light bulb, dimmer. 60 cm x 40 cm x 35 cm (h). FM range approximately 150 m. Photo: Useful Art Services |
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| Lyric Mediator (Receiver) | 2025 | Slow Reading Club | [visual work] | 2 | Eye Below Ear | 22-03-25 | Kunsthal Mechelen | ||
Lyric Mediator (Receiver), 2025 FM radio, plexiglass, “Euronorm” (Engels) storage crates, reflector bulb, dimmer. 60 cm x 40 cm x 60 cm (h). Photo: Useful Art Ser |
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| En la biblioteca / In the Library (Spanish to English) | 2025 | Slow Reading Club | Quim Pujol | [audio] | 3 | Eye Below Ear | 22-03-25 | Kunsthal Mechelen | |
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| Je sors ce soir | 1997 | Guillaume Dustan | Earplugs | 1 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | ||
| Ce sexe qui n'en est pas un | 1977 | Luce Irigaray | Twicing | 2 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | ||
| The Sex Which is Not One | 1977 | Luce Irigaray | Carolyn Burke & Catherine Porter | Twicing | 3 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| Once | The Matrix Poems | 1960-64 | N. H. Pritchard | Vertical | 4 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| Une sequence | 1985 | Leslie Scalapino | Ethan Assouline & DeepL | Skin on Skin | 5 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| A Sequence | 1985 | Leslie Scalapino | Skin on Skin | 6 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | ||
| Le pavillon d'or | 1956 | Yukio Mishima | Marc Mécréant | Triangles | 7 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| The Temple of the Golden Pavillion | 1956 | Yukio Mishima | Ivan Morris | Triangles | 8 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| Excess, The Factory | 1982 | Leslie Kaplan | Julie Carr & Jennifer Papp | White Noise | 9 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| L'exces-l'usine | 1982 | Leslie Kaplan | White Noise | 10 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | ||
| Si je meurs sur la route | 1970 | Virgilio Piñera | Slow Reading Club & Cyriaque Villemaux & Martin Zícari | Flowers | 11 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| If I Die on the Road | 1970 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Martin Zícari | Flowers | 12 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| Si muero en la carretera | 1970 | Virgilio Piñera | Flowers | 13 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | ||
| Bing | 1966 | Samuel Beckett | Strobe | 14 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | ||
| Sphinx | 1986 | Anne Garréta | Back to Back | 15 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | ||
| Sphinx | 1986 | Anne Garréta | Emma Ramadan | Back to Back | 16 | Love Breaks | 14-12-24 | FRAC Occitanie Montpellier | |
| The Angel of Darkness | 1974 | Ernesto Sabato | Andrew Hurley | 45º Tilt | 1 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | |
| The Melancholy of Anatomy | 2002 | Shelley Jackson | Monochroming | 2 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | ||
| The Switch | Cold Tales | 1944 | Virgilio Piñera | Mark Schafer | Earplugs | 3 | Cascades | 12-10-24 | Vleeshal / Rozenstraat |
| Hyperparasites | 2015 | Aase Berg | Johannes Göransson | Vertical | 4 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | |
| Die, My Love | 2019 | Ariana Harwicz | Sarah Moses & Carolina Orloff | Skin on Skin | 5 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | |
| Out | 1964 | Christine Brooke Rose | Triangles | 6 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | ||
| In the Heart of the Guinea Pig Darkness | 2015 | Aase Berg | Johannes Göransson | White Noise | 7 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | |
| Roberte Ce Soir | 1954 | Pierre Klossowski | Austryn Wainhouse | Twicing | 8 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | |
| The Two Peasants | 13th C. | Gautier le Leu | Ned Dubin | Strobe | 9 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | |
| The Parasite | 1980 | Michel Serres | Lawrence R. Schehr | Back to Back | 10 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | |
| The Flea | 1633 | John Donne | (no protocol) | 11 | Cascades | 12-10-24 | Vleeshal / Rozenstraat | ||
| Sightlines (white on black) | 2024 | Slow Reading Club | [visual work] | 1 | LEARNING | 24-05-24 | BOEKS | ||
Sightlines (white on black) (2024) |
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| Sightlines (black on yellow) | 2024 | Slow Reading Club | [visual work] | 2 | LEARNING | 24-05-24 | BOEKS | ||
Sightlines (black on yellow) (2024) 
Sightlines (black on yellow) (2024) |
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| Sightlines (white on blue) | 2024 | Slow Reading Club | [visual work] | 3 | LEARNING | 24-05-24 | BOEKS | ||
Sightlines (white on blue) (2024) 
Sightlines (white on blue) (2024) |
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| Sightlines (white on brown) | 2024 | Slow Reading Club | [visual work] | 4 | LEARNING | 24-05-24 | BOEKS | ||
Sightlines (white on brown) (2024) |
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| Sightlines (black on white) | 2024 | Slow Reading Club | [visual work] | 5 | LEARNING | 24-05-24 | BOEKS | ||
Sightlines (black on white) (2024) 
Sightlines (black on white) (2024) |
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| Sightlines (white on red) | 2024 | Slow Reading Club | [visual work] | 6 | LEARNING | 24-05-24 | BOEKS | ||
Sightlines (white on red) (2024) |
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| All Available Amplification | 2024 | Slow Reading Club & Charlie Usher | [visual work] | 7 | LEARNING | 24-05-24 | BOEKS | ||
All Available Amplification (2024) with Charlie Usher |
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| All Available Amplification | 2024 | Slow Reading Club & Charlie Usher | [visual work] | 8 | LEARNING | 24-05-24 | BOEKS | ||
All Available Amplification (2024) with Charlie Usher |
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| All Available Amplification | 2024 | Slow Reading Club & Charlie Usher | [visual work] | 9 | LEARNING | 24-05-24 | BOEKS | ||
All Available Amplification (2024) with Charlie Usher 
All Available Amplification (2024) with Charlie Usher 
All Available Amplification (2024) with Charlie Usher |
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| All Available Amplification | 2024 | Slow Reading Club & Charlie Usher | [visual work] | 10 | LEARNING | 24-05-24 | BOEKS | ||
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| Cover Version (Attachments) | 2024 | Slow Reading Club & Charlie Usher | [audio] | 11 | LEARNING | 24-05-24 | BOEKS | ||
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Cover Version (Attachments) (2024) with Charlie Usher Cover Version (Attachments) (2024) with Charlie Usher Cover Version (Attachments) (2024) with Charlie Usher Cover Version (Attachments) (2024) with Charlie Usher Cover Version (Attachments) (2024) with Charlie Usher |
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| All Possible Outcomes | 2024 | Slow Reading Club | [visual work] | 12 | LEARNING | 24-05-24 | BOEKS | ||
All Possible Outcomes (2024) Letraset on woven satin ribbons, push pins. 63.5 x 112 cm. Photo: Fabrice Schneider. |
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| Plausible Remainder | 2024 | Slow Reading Club | [visual work] | 13 | LEARNING | 24-05-24 | BOEKS | ||
Plausible Remainder (2024) Letraset on woven satin ribbons, push pins. Diptych. Each piece 40 x 51 cm. Photo: Fabrice Schneider. 
Plausible Remainder (2024) Letraset on woven satin ribbons, push pins. Diptych. Each piece 40 x 51 cm. Photo: Fabrice Schneider. |
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| Call for Participation (Searchlight) | 2024 | Slow Reading Club | [visual work] | 14 | LEARNING | 24-05-24 | BOEKS | ||
Call for Participation (Searchlight) (2024) UV print on brushed aluminium. 52.5 x 73.5 cm. Photo: Fabrice Schneider. 
Call for Participation (Searchlight) (2024) UV print on brushed aluminium. 52.5 x 73.5 cm. Photo: Fabrice Schneider. |
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| Random Access Memory | 2024 | Slow Reading Club | [visual work] | 15 | LEARNING | 24-05-24 | BOEKS | ||
| Dedication (18.55.6.215) | 13 dedications | 2022 | Slow Reading Club | [visual work] | 16 | LEARNING | 24-05-24 | BOEKS | |
Dedication (18.55.6.215) (2022) Recto: Letraset on woven satin ribbons, push pins. |
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| LEARNING | 2024 | Slow Reading Club | [press text] | 17 | LEARNING | 24-05-24 | BOEKS | ||
| Blue | 1993 | Derek Jarman | 45º Tilt | 1 | The Blues | 20-01-24 | Theater Neumarkt | ||
| The Golden Age, Time Passed | 1959 | Ralph Ellison | Twicing | 2 | The Blues | 20-01-24 | Theater Neumarkt | ||
| Metaxu IV | Degrees of Unsolvability | 1976-1979 | Catherine Christer Hennix | Vertical | 3 | The Blues | 20-01-24 | Theater Neumarkt | |
| A Mercy | 2008 | Toni Morrison | Triangles | 4 | The Blues | 20-01-24 | Theater Neumarkt | ||
| White Phospherus | 1988 | Alice Notley | Skin on Skin | 5 | The Blues | 20-01-24 | Theater Neumarkt | ||
| The Blue Light | 2008 | Hussein Barghouti | Fady Joudah | Monochroming | 6 | The Blues | 20-01-24 | Theater Neumarkt | |
| Mekin Histri | 1984 | Linton Kwesi Johnson | White Noise | 7 | The Blues | 20-01-24 | Theater Neumarkt | ||
| If I die on the Road | 1971 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Martin Zícari | Flowers | 8 | The Blues | 20-01-24 | Theater Neumarkt | |
| Ping | Six Residua | 1967 | Samuel Beckett | Samuel Beckett | Strobe | 9 | The Blues | 20-01-24 | Theater Neumarkt |
| Marine Blue Feathers | Autobiography of Death | 2008 | Kim Hyesoon | Don Mee Choi | Back to Back | 10 | The Blues | 20-01-24 | Theater Neumarkt |
| The Fall | Cold Tales | 1944 | Virgilio Piñera | 45º Tilt | 1 | The Smugglers | 25-11-23 | Hangar | |
| La Caída | Cuentos fríos | 1944 | Virgilio Piñera | 45º Tilt | 2 | The Smugglers | 25-11-23 | Hangar | |
| Diary | 1953 | Witold Gombrowicz | Lillian Vallee | Earplugs | 3 | The Smugglers | 25-11-23 | Hangar | |
| That Flaming Brand | 2020 | Essa May Ranapiri | Vertical | 4 | The Smugglers | 25-11-23 | Hangar | ||
| A History of Violets | 1965 | Marosa Di Giorgio | Jeannine Marie Pitas | Skin on Skin | 5 | The Smugglers | 25-11-23 | Hangar | |
| Historial de las Violetas | 1965 | Marosa Di Giorgio | Skin on Skin | 6 | The Smugglers | 25-11-23 | Hangar | ||
| The Names of the Women | When I Sing, Mountains Dance | 2019 | Irene Solà | Mara Faye Lethem | Twicing | 7 | The Smugglers | 25-11-23 | Hangar |
| El Nom de las dones | Canto jo i la muntanya balla | 2019 | Irene Solà | Twicing | 8 | The Smugglers | 25-11-23 | Hangar | |
| The Pillow Book | 1002 | Sei Shōnagon | Meredith McKinney | Triangles | 9 | The Smugglers | 25-11-23 | Hangar | |
| If I die on the Road | 1970 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Martin Zícari | Flowers | 10 | The Smugglers | 25-11-23 | Hangar | |
| Si muero en la carretera | 1970 | Virgilio Piñera | Flowers | 11 | The Smugglers | 25-11-23 | Hangar | ||
| Reggae Fi May Ayim | 1996 | Linton Kwesi Johnson | White Noise | 12 | The Smugglers | 25-11-23 | Hangar | ||
| Ping | Six Residua | 1967 | Samuel Beckett | Samuel Beckett | Strobe | 13 | The Smugglers | 25-11-23 | Hangar |
| Translations | 2009 | Gloria Anzaldúa | Back to Back | 14 | The Smugglers | 25-11-23 | Hangar | ||
| A Sequence | It's Go In Horizontal | 1985 | Leslie Scalapino | Earplugs | 1 | Symptoms | 10-09-23 | Kemmler Foundation | |
| The Angel of Darkness | 1974 | Ernesto Sabato | Andrew Hurley | Twicing | 2 | Symptoms | 10-09-23 | Kemmler Foundation | |
| A History of Violets | 1965 | Marosa Di Giorgio | Jeannine Marie Pitas | Skin on Skin | 3 | Symptoms | 10-09-23 | Kemmler Foundation | |
| The Space of Literature | 1955 | Maurice Blanchot | Ann Smock | Triangles | 4 | Symptoms | 10-09-23 | Kemmler Foundation | |
| Excess, The Factory | 1982 | Leslie Kaplan | Julie Carr & Jennifer Papp | White Noise | 5 | Symptoms | 10-09-23 | Kemmler Foundation | |
| Ping | Six Residua | 1967 | Samuel Beckett | Samuel Beckett | Strobe | 6 | Symptoms | 10-09-23 | Kemmler Foundation |
| The Passive Vampire | 1945 | Ghérasim Luca | Krzysztof Fijalkowski | Back to Back | 7 | Symptoms | 10-09-23 | Kemmler Foundation | |
| Les méduses n’ont pas d’oreilles | 2022 | Adèle Rosenfeld | (no protocol) | 8 | Symptoms | 10-09-23 | Kemmler Foundation | ||
| On the Current Symbolic Status of Oil | The Age Of Oil | 1987 | Duncan Smith | (no protocol) | 1 | The Age of Oil (bootleg) | 17-12-22 | Damien & The Love Guru | |
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | 45º Tilt | 1 | Special Effects | 14-11-22 | Cabaret Voltaire | |
| Thomas the Obscure | 1941 | Maurice Blanchot | Robert Lamberton | Earplugs | 2 | Special Effects | 14-11-22 | Cabaret Voltaire | |
| Mimicry and Legendary Psychaesthenia | 1935 | Roger Caillois | John Shepley | Twicing | 3 | Special Effects | 14-11-22 | Cabaret Voltaire | |
| The Voice | The Matrix Poems 1960-1970 | 1960-1964 | N. H. Pritchard | Vertical | 4 | Special Effects | 14-11-22 | Cabaret Voltaire | |
| Sphinx | 1986 | Anne Garréta | Emma Ramadan | Skin on Skin | 5 | Special Effects | 14-11-22 | Cabaret Voltaire | |
| Life, End of | 2006 | Christine Brooke Rose | Triangles | 6 | Special Effects | 14-11-22 | Cabaret Voltaire | ||
| Cloud's Nostalgia | Sorrowtoothpaste Mirrorcream | 2011 | Kim Hyesoon | Don Mee Choi | White Noise | 7 | Special Effects | 14-11-22 | Cabaret Voltaire |
| Saint Martin's Four Wishes | 13th C. | unknown | Ned Dubin | Strobe | 8 | Special Effects | 14-11-22 | Cabaret Voltaire | |
| My Language and I | 1978 | Ilse Aichinger | Christian Hawkey & Uljana Wolf | Back to Back | 9 | Special Effects | 14-11-22 | Cabaret Voltaire | |
| Meine Sprache und Ich | 1978 | Ilse Aichinger | Back to Back | 10 | Special Effects | 14-11-22 | Cabaret Voltaire | ||
| Dedication (Conspiracy Knot) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Conspiracy Knot) (2022) Recto: Gesso, letraset and photo prints on woven satin ribbons, push pins. Verso: UV print on brushed aluminium, adhesive felt circles. Photo: Kristien Daem 
Dedication (Conspiracy Knot) (2022) Recto: Gesso, letraset and photo prints on woven satin ribbons, push pins. Verso: UV print on brushed aluminium, adhesive felt circles. Photo: Kristien Daem |
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| Dedication (Spectacular Sacrifice) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Spectacular Sacrifice) (2022) Recto: Letraset and dyed silk on woven satin ribbons, push pins. Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. 
Dedication (Spectacular Sacrifice) (2022) Recto: Letraset and dyed silk on woven satin ribbons, push pins. Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. |
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| Dedication (Vowels) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Vowels) (2022) Recto: Letraset and dyed silk on woven satin ribbons, push pins. Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. 
Dedication (Vowels) (2022) Recto: Letraset and dyed silk on woven satin ribbons, push pins. Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. |
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| Dedication (Become Plain Glass) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Become Plain Glass) (2022) Recto: Letraset on woven satin ribbons, gifted t-shirt. Photo: Kristien Daem |
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| Dedication (Double Negative) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Double Negative) (2022) Recto: Letraset on woven satin ribbons, push pins, correction fluid on wood. Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. 
Dedication (Double Negative) (2022) Recto: Letraset on woven satin ribbons, push pins, correction fluid on wood Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem |
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| Dedication (18.55.6.215) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (18.55.6.215) (2022) Recto: Letraset on woven satin ribbons, push pins. Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. 
Dedication (18.55.6.215) (2022) Recto: Letraset on woven satin ribbons, push pins. Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. |
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| Dedication (Deep Blue) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Deep Blue) (2022) Recto: Gesso, letraset and laser prints on woven satin ribbons, push pins Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. 
Dedication (Deep Blue) (2022) Recto: Gesso, letraset and laser prints on woven satin ribbons, push pins Verso: UV print on brushed aluminum, adhesive felt circles. Photo: Kristien Daem. |
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| Dedication (Reversible Grammar) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Reversible Grammar) (2022) Recto: Letraset on woven satin ribbons, correction fluid on wood, aluminum hardware. Photo: Kritien Daem. |
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| Dedication (Six Colour Rainbow) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Six Colour Rainbow) (2022) Recto: Gesso and letraset on woven satin ribbons, found diapositives, LED light box, pine. Verso: UV print on brushed aluminum. Photo: Kristien Daem. 
Dedication (Six Colour Rainbow) (2022) Recto: Gesso and letraset on woven satin ribbons, found diapositives, LED light box, pine. Verso: UV print on brushed aluminum. Photo: Kristien Daem. |
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| Dedication (“Scoundrel, do you bite me again?”) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (“Scoundrel, do you bite me again?”) (2022) Recto: Letraset on woven satin ribbons, plywood. Photo: Kristien Daem. |
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| Dedication (Xtreme Terror Hard Vibration) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Xtreme Terror Hard Vibration) (2022) Recto: Letraset and photo prints on woven satin ribbons, collage and gesso on MDF. Verso: UV print on brushed aluminum. Photo: Kristien Daem. 
Dedication (Xtreme Terror Hard Vibration) (2022) Recto: Letraset and photo prints on woven satin ribbons, collage and gesso on MDF. Verso: UV print on brushed aluminum. Photo: Kristien Daem. |
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| Dedication (Si muero) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Si muero) & Dedication (Si no muero) (2022) Photo: Kristien Daem. 
Dedication (Si muero) (2022) Recto: Gesso, letraset and risograph prints on woven satin ribbons, push pins Verso: UV print on brushed aluminum. Photo: Kristien Daem. 
Dedication (Si muero) (2022) Recto: Gesso, letraset and risograph prints on woven satin ribbons, push pins Verso: UV print on brushed aluminum. Photo: Kristien Daem. |
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| Dedication (Si no muero) | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
Dedication (Si muero) & Dedication (Si no muero) (2022) Photo: Kristien Daem. 
Dedication (Si no muero) (2022) Recto: Recto: Letraset on woven satin ribbons, push pins Verso: UV print on brushed aluminum. Photo: Kristien Daem. 
Dedication (Si no muero) (2022) Recto: Recto: Letraset on woven satin ribbons, push pins Verso: UV print on brushed aluminum. Photo: Kristien Daem. |
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| SF | 2022 | Slow Reading Club | [visual work] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
SF (2022) Scanned copy of the screenplay for “Alien” (dir: Ridley Scott, 1979), tape, laser print on A4 paper, wooden shelf. Photo: Kristien Daem. 
SF (2022) Scanned copy of the screenplay for “Alien: Resurrection” (dir: Jean-Pierre Jeunet, 1997), tape, laser print on A4 paper, wooden shelf. Photo: Kristien Daem. 
SF (2022) Scanned copy of the screenplay for “Alien: Resurrection” (dir: Jean-Pierre Jeunet, 1997), tape, laser print on A4 paper, wooden shelf. Photo: Kristien Daem. 
SF (2022) Scanned copy of the screenplay for “Aliens” (dir: James Cameron, 1986), tape, laser print on A4 paper, wooden shelf. Photo: Kristien Daem. 
SF (2022) Scanned copy of the screenplay for “Alien” (dir: Ridley Scott, 1979), tape, laser print on A4 paper, wooden shelf. Photo: Kristien Daem. 
SF 2022 Scanned copy of the screenplay for “Aliens” (dir: James Cameron, 1986), tape, laser print on A4 paper, wooden shelf. Photo: Kristien Daem. |
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| Dedications / Citation / Grids | 2022 | Slow Reading Club | [press text] | 1 | 13 dedications | 28-10-22 | Damien & The Love Guru | ||
| Thomas the Obscure | 1941 | Maurice Blanchot | Robert Lamberton | 45º Tilt | 1 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Thomas der Dunkle | 1941 | Maurice Blanchot | Jürg Laederach | 45º Tilt | 2 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Ice | 1967 | Anna Kavan | Twicing | 3 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | ||
| Eis | 1967 | Anna Kavan | Silvia Morawetz & Werner Schmitz | Twicing | 4 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Água Viva | 1973 | Clarice Lispector | Stefan Tobler | Skin on Skin | 5 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Água Viva | 1973 | Clarice Lispector | Sarita Brandt | Skin on Skin | 6 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Thomas the Obscure | 1941 | Maurice Blanchot | Robert Lamberton | Triangles | 7 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Thomas der Dunkle | 1941 | Maurice Blanchot | Jürg Laederach | Triangles | 8 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Ice | 1967 | Anna Kavan | Monochroming | 9 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | ||
| Eis | 1967 | Anna Kavan | Silvia Morawetz & Werner Schmitz | Monochroming | 10 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Pattern Recognition | 2003 | William Gibson | Skin on Skin | 11 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | ||
| Mustererkennung | 2003 | William Gibson | Cornelia Holtelder-von der Tann & Christa Shuene | Skin on Skin | 12 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Água Viva | 1973 | Clarice Lispector | Stefan Tobler | Back to Back | 13 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| Água Viva | 1973 | Clarice Lispector | Sarita Brandt | Back to Back | 14 | Deep Blue | 10-09-22 | Dortmunder Kunstverein | |
| In the Penal Colony | 1919 | Franz Kafka | Ian Johnston | Twicing | 1 | Remote Control | 16-07-22 | Dortmunder Kunstverein | |
| In der Strafkolonie | 1919 | Franz Kafka | Twicing | 2 | Remote Control | 16-07-22 | Dortmunder Kunstverein | ||
| Description of a Struggle | Franz Kafka: Collected Stories | 1903-1907 | Franz Kafka | James Stern & Tania Stern | Skin on Skin | 3 | Remote Control | 16-07-22 | Dortmunder Kunstverein |
| Beschreibung eines Kampfes | 1903-1907 | Franz Kafka | Skin on Skin | 4 | Remote Control | 16-07-22 | Dortmunder Kunstverein | ||
| A Crossbreed [a Sport] | Franz Kafka: Collected Stories | 1917 | Franz Kafka | Edwin Muir & Willa Muir | Monochroming | 5 | Remote Control | 16-07-22 | Dortmunder Kunstverein |
| Eine Kreuzung | 1917 | Franz Kafka | Monochroming | 6 | Remote Control | 16-07-22 | Dortmunder Kunstverein | ||
| 19. February | The Diaries: 1910-1923 | 1911 | Franz Kafka | Joseph Kresh | White Noise | 7 | Remote Control | 16-07-22 | Dortmunder Kunstverein |
| 19. Februar | Tägerbucher Band 1: 1909-1912 | 1911 | Franz Kafka | White Noise | 8 | Remote Control | 16-07-22 | Dortmunder Kunstverein | |
| Measures for Preventing Accidents from Wood-Planing Machines | The Office Writings | 1910 | Franz Kafka | Ruth Hein. & Eric Patton | Twicing | 9 | Remote Control | 16-07-22 | Dortmunder Kunstverein |
| Unfallverhütungsmaßregel bei Holzmaschinen | Amtliche Schriften | 1910 | Franz Kafka | Twicing | 10 | Remote Control | 16-07-22 | Dortmunder Kunstverein | |
| Description of a Struggle | Collected Stories | 1903-1907 | Franz Kafka | James Stern & Tania Stern | Skin on Skin | 11 | Remote Control | 16-07-22 | Dortmunder Kunstverein |
| Beschreibung eines Kamfes | 1903-1907 | Franz Kafka | Skin on Skin | 12 | Remote Control | 16-07-22 | Dortmunder Kunstverein | ||
| Letters to Hedwig W. | 1907 | Franz Kafka | Clara Winston & Richard Winston | Triangles | 13 | Remote Control | 16-07-22 | Dortmunder Kunstverein | |
| Briefen An Hedwig W. | 1907 | Franz Kafka | Triangles | 14 | Remote Control | 16-07-22 | Dortmunder Kunstverein | ||
| The Cares of a Family Man | A Country Doctor | 1919 | Franz Kafka | Edwin Muir & Willa Muir | White Noise | 15 | Remote Control | 16-07-22 | Dortmunder Kunstverein |
| Die Sorge des Hausvaters | Ein Landarzt | 1919 | Franz Kafka | White Noise | 16 | Remote Control | 16-07-22 | Dortmunder Kunstverein | |
| Hands | Franz Kafka: Collected Stories | 1917 | Franz Kafka | Ernst Kaiser & Eithne Wilkins | Back to Back | 17 | Remote Control | 16-07-22 | Dortmunder Kunstverein |
| Der Kampf der Hände | Oktavheft D | 1917 | Franz Kafka | Back to Back | 18 | Remote Control | 16-07-22 | Dortmunder Kunstverein | |
| Mailna | 1971 | Ingeborg Bachmann | Philip Boehm | 45º Tilt | 1 | headless | 25-06-22 | WIELS | |
| Thomas the Obscure | 1941 | Maurice Blanchot | Robert Lamberton | Earplugs | 2 | headless | 25-06-22 | WIELS | |
| The Solar Anus | 1931 | Georges Bataille | Allan Stoekl | Twicing | 3 | headless | 25-06-22 | WIELS | |
| Epigram Engraved on the Collar of a Dog Which I Gave to His Royal Highness | 1736 | Alexander Pope | Vertical | 4 | headless | 25-06-22 | WIELS | ||
| The Descent of Alette | 1992 | Alice Notley | Skin on Skin | 5 | headless | 25-06-22 | WIELS | ||
| Life, End Of | 2006 | Christine Brooke Rose | Triangles | 6 | headless | 25-06-22 | WIELS | ||
| See Now Then | 2013 | Jamaica Kincaid | Monochroming | 7 | headless | 25-06-22 | WIELS | ||
| Icicle Glasses / Day Thirty-Nine | The Autobiography of Death | 2018 | Kim Hyesoon | Don Mee Choi | White Noise | 8 | headless | 25-06-22 | WIELS |
| Saint Martin's Four Wishes | 13th C. | unknown | Ned Dubin | Strobe | 9 | headless | 25-06-22 | WIELS | |
| What the president will say and do!! | 1984 | Madeline Gins | Back to Back | 10 | headless | 25-06-22 | WIELS | ||
| The Complete Last Reading in Berlin | 1992 | Audre Lorde | 45º Tilt | 1 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| Brief an den Vater | 1919 | Franz Kafka | Earplugs | 2 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| Letter to his Father | 1919 | Franz Kafka | Ernst Kaiser & Eithne Williams | Earplugs | 3 | dearest, | 26-02-22 | Dortmunder Kunstverein | |
| The Deep North | 1988 | Fanny Howe | Triangles | 4 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| Transformations of Memory in Everyday Life | 1982 | Marigold Linton | Twicing | 5 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| Daheim Unterwegs | 1998 | Ika Hügel-Marshall | Skin on Skin | 6 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| Invisible Woman | 1998 | Ika Hügel-Marshall | Elizabeth Gaffney | Skin on Skin | 7 | dearest, | 26-02-22 | Dortmunder Kunstverein | |
| Vatersuche | 1989 | May Ayim | Vertical | 8 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| Father Seeking | 1989 | May Ayim | Anne V. Adams | Vertical | 9 | dearest, | 26-02-22 | Dortmunder Kunstverein | |
| Reggae Fi May Ayim | 1998 | Linton Kwesi Johnson | White Noise | 10 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| Schwarz Africa der Frauen | 1989 | May Ayim | Back to Back | 11 | dearest, | 26-02-22 | Dortmunder Kunstverein | ||
| One of the Others | 1989 | May Ayim | Anne V. Adams | Back to Back | 12 | dearest, | 26-02-22 | Dortmunder Kunstverein | |
| Diaries | 1953 | Witold Gombrowicz | Lillian Vallee | 45º Tilt | 1 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| Tagebuch | 1953 | Witold Gombrowicz | 45º Tilt | 2 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | ||
| Neid | 2008 | Elfriede Jelinek | Earplugs | 3 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | ||
| Serpentine Streamer Texts | 1999 | Annette Wehrmann | Carie Roseland | Vertical | 4 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| Go, went, gone | 2015 | Jenny Erpenbeck | Susan Bernofsky | Twicing | 5 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| Gehen, ging, gegangen | 2015 | Jenny Erpenbeck | Twicing | 6 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | ||
| A Certain Lucas | 1979 | Julio Cortazar | Gregory Rabassa | Skin on Skin | 7 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| Ein gewisser Lukas | 1979 | Julio Cortazar | Rudolf Wittkopf | Skin on Skin | 8 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| My Language and I | 1978 | Ilse Aichinger | Christian Hawkey & Uljana Wolf | Triangles | 9 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| Meine Sprache und Ich | 1978 | Ilse Aichinger | Triangles | 10 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | ||
| The Broken Fountain | Pictures of the Floating World | 1919 | Amy Lowell | White Noise | 11 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| If I die on the Road | 1970 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Martin Zícari | Flowers | 12 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| Filoxenia Dream | Schlüssel is Key | 2019 | Benedikt Bock | Back to Back | 13 | Public Fountains | 06-11-21 | Dortmunder Kunstverein | |
| Titles and Milk Lids | 2021 | Slow Reading Club | [visual work] | 1 | Rosa Rosa Rosae | 23-10-21 | Maison Pelgrims | ||
| Introduction | 2020 | Slow Reading Club | (no protocol) | 1 | Body Horror | 01-09-21 | Lafayette Anticipations | ||
| Si muero en la carretera | 1970 | Virgilio Piñera | (no protocol) | 2 | Body Horror | 01-09-21 | Lafayette Anticipations | ||
| Si je meurs sur la route | 1970 | Virgilio Piñera | Slow Reading Club & Cyriaque Villemaux & Martin Zícari | (no protocol) | 3 | Body Horror | 01-09-21 | Lafayette Anticipations | |
| If I die on the Road | 1970 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Martin Zícari | (no protocol) | 4 | Body Horror | 01-09-21 | Lafayette Anticipations | |
| Nuages pestilentiels : le tract et la peste dans l’Angleterre du 17eme siècle | Compelling Reading: The Circulation of Quaker Texts 1600-1800 | 2016 | Brooke Palmieri | Claire Le Breton | (no protocol) | 5 | Body Horror | 01-09-21 | Lafayette Anticipations |
| Pestilential Clouds: The Pamphlet and the Plauge in 17th Century England | Compelling Reading: The Circulation of Quaker Texts 1600-1800 | 2016 | Brooke Palmieri | (no protocol) | 6 | Body Horror | 01-09-21 | Lafayette Anticipations | |
| Another Drought Twilight Finale Allegro I Know | 2021 | Bill Dietz | (no protocol) | 1 | Fan Fiction | 22-07-21 | Tanznacht Berlin | ||
| Über Einfluss | The Necropastoral: Poetry, Media, Occults | 2011 | Joyelle McSweeney | Anneliese Ostertag | (no protocol) | 2 | Fan Fiction | 22-07-21 | Tanznacht Berlin |
| All authors from prior Slow Reading Club sessions arranged by numerological sum. | 2021 | Slow Reading Club | (no protocol) | 3 | Fan Fiction | 22-07-21 | Tanznacht Berlin | ||
| Thomas the Obscure | 1941 | Maurice Blanchot | Robert Lamberton | Horizon | 1 | The Large Bathers | 03-06-21 | KAAP | |
| The Whole Island | 1968 | Virgilio Piñera | Mark Weiss | Earplugs | 2 | The Large Bathers | 03-06-21 | KAAP | |
| Air and Dreams | 1943 | Gaston Bachelard | C. Frederick Farrell & Edith R. Farrell | Twicing | 3 | The Large Bathers | 03-06-21 | KAAP | |
| Hydrophobia | 2012 | Aase Berg | Johannes Göransson | Vertical | 4 | The Large Bathers | 03-06-21 | KAAP | |
| Confessions of a Mask | 1941 | Yukio Mishima | Meredith Weatherby | Triangles | 5 | The Large Bathers | 03-06-21 | KAAP | |
| Composing Listening | 2011 | Bill Dietz | White Noise | 6 | The Large Bathers | 03-06-21 | KAAP | ||
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | Strobe | 7 | The Large Bathers | 03-06-21 | KAAP | |
| The Waves | 1931 | Virginia Woolf | Back to Back | 8 | The Large Bathers | 03-06-21 | KAAP | ||
| Warm Buttons | Le Chauffage Issue No. 2 | 2021 | Slow Reading Club | [visual work] | 1 | Le Chauffage Issue No. 2 | 01-06-21 | Le Chauffage [magazine] | |
| Will Have Been | 2021 | Slow Reading Club & Charlie Usher | [audio] | 1 | Time Capsule 2045 | 07-05-21 | Palais des Beaux-arts de Paris | ||
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| Lumen | 1887 | Camille Flammarion | A.A.M. & R.M. | Compass | 1 | Future Perfect Continuous Tense | 25-03-21 | Theater Neumarkt / Cabaret Voltaire (online) | |
| Against Ordinary Language: The Language of the Body | 1993 | Kathy Acker | Twicing | 2 | Future Perfect Continuous Tense | 25-03-21 | Theater Neumarkt / Cabaret Voltaire (online) | ||
| Babel 17 | 1966 | Samuel R. Delaney | Cursors | 3 | Future Perfect Continuous Tense | 25-03-21 | Theater Neumarkt / Cabaret Voltaire (online) | ||
| Out | 1964 | Christine Brooke Rose | Dubbing | 4 | Future Perfect Continuous Tense | 25-03-21 | Theater Neumarkt / Cabaret Voltaire (online) | ||
| Ticker Tape | 2021 | Slow Reading Club | [visual work] | 1 | Ticker Tape | 22-02-21 | NICC | ||
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| La théâtre et la peste | 1938 | Antonin Artaud | Twicing | 1 | YES | 14-09-20 | Lafayette Anticipations (online) | ||
| The Theatre and the Plague | 1938 | Antonin Artaud | Victor Corti | (no protocol) | 2 | YES | 14-09-20 | Lafayette Anticipations (online) | |
| Le Corps Lesbien | 1973 | Monique Wittig | Cursors | 3 | YES | 14-09-20 | Lafayette Anticipations (online) | ||
| The Lesbian Body | 1973 | Monique Wittig | David Le Vay | Cursors | 4 | YES | 14-09-20 | Lafayette Anticipations (online) | |
| If I die on the Road | Body Horror | 1970 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Martin Zícari | Four Voices | 5 | YES | 14-09-20 | Lafayette Anticipations (online) |
| Si je meurs sur la route | Body Horror | 1970 | Virgilio Piñera | Slow Reading Club & Alex Reynolds & Cyriaque Villemaux | Four Voices | 6 | YES | 14-09-20 | Lafayette Anticipations (online) |
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | Four Voices | 7 | YES | 14-09-20 | Lafayette Anticipations (online) | |
| A842 | Gorgeous Nothings | 1885 | Emily Dickinson | Vertical | 8 | YES | 14-09-20 | Lafayette Anticipations (online) | |
| Lumen | 1887 | Camille Flammarion | Compass | 9 | YES | 14-09-20 | Lafayette Anticipations (online) | ||
| Lumen | 1887 | Camille Flammarion | A.A.M. & R.M. | Compass | 10 | YES | 14-09-20 | Lafayette Anticipations (online) | |
| Crowds and Power | 1960 | Elias Canetti | Carol Stewart | Twicing | 1 | YES | 06-05-20 | Radialsystem (online) | |
| Clouds Without Water | 1909 | Aleister Crowley | Cursors | 2 | YES | 06-05-20 | Radialsystem (online) | ||
| If I die on the Road | 1970 | Virgilio Piñera | Julia Canal Paternina | Four Voices | 3 | YES | 06-05-20 | Radialsystem (online) | |
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | Four Voices | 4 | YES | 06-05-20 | Radialsystem (online) | |
| A842 | Gorgeous Nothings | 1885 | Emily Dickinson | Vertical | 5 | YES | 06-05-20 | Radialsystem (online) | |
| Lumen | 1887 | Camille Flammarion | A.A.M. & R.M. | Compass | 6 | YES | 06-05-20 | Radialsystem (online) | |
| Screenplay for 'Blue' | 1993 | Derek Jarman | 45º Tilt | 1 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| Sphinx | 1986 | Anne Garréta | Emma Ramadan | Twicing | 2 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | |
| (untitiled) | Calligraphy Typewriters: The Selected Poems of Larry Eigner | 1952-1953 | Larry Eigner | Vertical | 3 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | |
| Clairvoyant Journal | 1974 | Hannah Weiner | Earplugs | 4 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| Let Me Tell You | 2008 | Paul Griffiths | Triangles | 5 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| The Steady Solid | 2019 | Daisuke Kosugi | Skin on Skin | 6 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| The Culmination: An erasure of Laura Redden Searing's “My Story” | 2018-2020 | John Lee Clark | White Noise | 7 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| The Diagnosis: An erasure of Henry Wadsworth Longfellow’s “Palingenesis” | 2018-2020 | John Lee Clark | White Noise | 8 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| The Manual: An erasure of George Meredith’s “Martin’s Puzzle” | 2018-2020 | John Lee Clark | White Noise | 9 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| Transformations of Memory in Everyday Life | 1982 | Marigold Linton | Monochroming | 10 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | ||
| RJ Romeo and Juliet | Code Poems | 1982 | Hannah Weiner | Strobe | 12 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | |
| Artificial Life | Square of Will in Square of Love | 2018 | Alina Popa | Back to Back | 13 | As for the bed straightened by visible hands only it is huge. | 07-03-20 | VIERNULVIER | |
| TTTTTTTTTTTTTTT (book) | 2020 | Slow Reading Club | [visual work] | 1 | Soft Cover Soft Cover | 11-01-20 | Damien & The Love Guru | ||
TTTTTTTTTTTTTTT (book) (2020) 15 long sleeve t-shirts, fabric pen on canvas, heat foils, clothing rack. Photo: GRAYSC. 
TTTTTTTTTTTTTTT (book) (2020) 15 long sleeve t-shirts, fabric pen on canvas, heat foils, clothing rack. Photo: GRAYSC. |
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| Dog Tag Fanzine Saddle Stitch | 2020 | Slow Reading Club | [visual work] | 2 | Soft Cover Soft Cover | 11-01-20 | Damien & The Love Guru | ||
Dog Tag Fanzine Saddle Stitch (2020) Satin ribbons, photo prints, keychains, thread. Photo: GRAYSC. 
Dog Tag Fanzine Saddle Stitch (2020) Satin ribbons, photo prints, keychains, thread. Photo: GRAYSC. 
Dog Tag Fanzine Saddle Stitch (2020) Satin ribbons, photo prints, keychains, thread. Photo: GRAYSC. |
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| Lap Dog Bone Marrow Jet Lag | 2020 | Slow Reading Club | [visual work] | 3 | Soft Cover Soft Cover | 11-01-20 | Damien & The Love Guru | ||
Lap Dog Bone Marrow Jet Lag (2018) Transfer lettering on woven satin ribbons, concrete, heat-transfer on fabric, clasps concrete installation. Photo: GRAYSC 
Lap Dog Bone Marrow Jet Lag (2018) Transfer lettering on woven satin ribbons, concrete, heat-transfer on fabric, clasps concrete installation. Photo: GRAYSC |
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| Death Grips Loop Hole Code Poem | 2020 | Slow Reading Club | [visual work] | 4 | Soft Cover Soft Cover | 11-01-20 | Damien & The Love Guru | ||
Death Grips Loop Hole Code Poem (2020) Satin ribbons, gross-grain ribbons, thread. Photo: GRAYSC. 
Death Grips Loop Hole Code Poem (2020) Satin ribbons, gross-grain ribbons, thread. Photo: GRAYSC. |
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| Jammer Poems | 2020 | Slow Reading Club | [visual work] | 5 | Soft Cover Soft Cover | 11-01-20 | Damien & The Love Guru | ||
Jammer Poems (2020) Plotter print on plastic sleeves, bookbinding thread, dyed glue. Photo: GRAYSC. 
Jammer Poems (2020) Plotter print on plastic sleeves, bookbinding thread, dyed glue. Photo: GRAYSC. 
Jammer Poems (2020) Plotter print on plastic sleeves, bookbinding thread, dyed glue. Photo: GRAYSC. |
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| Video Brace | 2020 | Slow Reading Club | [visual work] | 6 | Soft Cover Soft Cover | 11-01-20 | Damien & The Love Guru | ||
Video Brace (2020) Independently authored videos, wooden structure, transfer lettering, pirated pdfs, zip ties. Photo: GRAYSC. 
Video Brace (2020) Independently authored videos, wooden structure, transfer lettering, pirated pdfs, zip ties. Photo: GRAYSC. 
Video Brace (2020) Independently authored videos, wooden structure, transfer lettering, pirated pdfs, zip ties. Photo: GRAYSC. |
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| An Obel for my Obelisk | 2020 | Joyelle McSweeney | [press text] | 7 | Soft Cover Soft Cover | 11-01-20 | Damien & The Love Guru | ||
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | 45º Tilt | 1 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | |
| Emile, or On Education | 1762 | Jean-Jacques Rousseau | Barbara Foxley | Twicing | 2 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | |
| Orchastrophe | Beast Feast | 2014 | Cody-Rose Clevidence | Vertical | 3 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | |
| Lessons | 1795 | Mary Woolstonecraft | Earplugs | 4 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | ||
| Close to the Knives: A Memoir of Disintegration | 1991 | David Wojnarowicz | Monochroming | 5 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | ||
| Blood and Guts in Highschool | 1984 | Kathy Acker | Skin on Skin | 6 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | ||
| 7/29/48 | Reborn: Journals and Notebooks, 1947-1963 | 1948 | Susan Sontag | White Noise | 7 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | |
| Virginity | Bacaacay | 1928 | Witold Gombrowicz | Bill Johnston | Triangles | 8 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof |
| Proverbs of a She-Dandy | 2017 | Lisa Robertson | White Noise | 9 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | ||
| The Woman who was Fucked and Fucked Over for a Crane | 13th C. | Garin | Ned Dubin | Strobe | 10 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | |
| The History if Hayy Ibn Yaqzan | 12th C. | Abu Bakr Ibn Al Tufail | Simon Ockley | Back to Back | 11 | Titanic, Titanic, Titanic | 21-09-19 | Kunstverein Harbruger Bahnhof | |
| Folding Shirt | 2019 | Slow Reading Club | Folding | 1 | Folding Shirt | 21-09-19 | Add Label / Kunstverein Harburger Bahnhof | ||
Folding Shirt (2019) In collaboration with ADDLABEL. Long-sleeved tee with screen print and digital embroidery. Installation in Rosa Rosa Rosae, Maison Pelgrims. Photo: Regular Studio. 
Folding Shirt (2019) In collaboration with ADDLABEL. Long-sleeved tee with screen print and digital embroidery. Installation in Rosa Rosa Rosae, Maison Pelgrims. Photo: Regular Studio. 
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| Don Quixote's Abortion | Don Quixote, which was a dream | 1986 | Kathy Acker | 45º Tilt | 1 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| Mimicry and Legendary Psychaesthenia | 1935 | Roger Caillois | John Shepley | Twicing | 2 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| The Death of Pigs | Album zutique | 1871 | Leon Verlade & Paul Verlaine | Radja Hopkins Kaylor | Vertical | 3 | Readers, Digress | 05-07-19 | Showroom MAMA |
| Clairvoyant Journal | 1974 | Hannah Weiner | Earplugs | 4 | Readers, Digress | 05-07-19 | Showroom MAMA | ||
| The Space of Literature | 1955 | Maurice Blanchot | Ann Smock | Triangles | 5 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| A Little Lad in Paris | Archives of our Own | 2019 | “violentszsz” | Skin on Skin | 6 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| Rose and Turpentine | Archives of our Own | 2017 | “Ruis” | Skin on Skin | 7 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| Dorian Gray's New House | Archives of our Own | 2017 | “dt8b0t” | Skin on Skin | 8 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| The Sex Which is Not One | 1977 | Luce Irigaray | Carolyn Burke & Catherine Porter | Monochroming | 9 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| Blood and Guts in Highschool | 1978 | Kathy Acker | White Noise | 10 | Readers, Digress | 05-07-19 | Showroom MAMA | ||
| The Woman Who was Fucked and Fucked over for a Crane | 13th C. | Garin | Ned Dubin | (no protocol) | 11 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| Dianna at her Bath | 1980 | Pierre Klossowski | Steven Sarterelli | Back to Back | 12 | Readers, Digress | 05-07-19 | Showroom MAMA | |
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | 45º Tilt | 1 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | |
| Portrait of Huncke | 1949 | Allen Ginsberg | Monochroming | 2 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | ||
| Song of Skins | Anxiety of Words: Contemporary poetry by Korean Women | 2006 | Kim Hyesoon | Don Mee Choi | Vertical | 3 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal |
| Inferno (A Poet's Novel) | 2010 | Eileen Myles | Skin on Skin | 4 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | ||
| The Temple of the Golden Pavilion | 1956 | Yukio Mishima | Ivan Morris | Triangles | 5 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | |
| Soma(tic) Poetry Exercises | 2007 | CA Conrad | White Noise | 6 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | ||
| The Empire of Love: Toward a Theory of Intimacy, Geneology, & Carnality | 2006 | Elizabeth Povinelli | Twicing | 7 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | ||
| If I die on the Road | 1970 | Virgilio Piñera | Julia Canal Paternina | Flowers | 8 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | |
| Saint Martin's Four Wishes | 13th C. | unknown | Ned Dubin | Strobe | 9 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | |
| Dr. William's Heiresses: A Lecture | 1980 | Alice Notley | Back to Back | 10 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | ||
| Golden in the Morning Crane Our Neck | 2018 | CA Conrad | Back to Back | 11 | I GOTTA / wig / gle for this | 24-05-19 | Bergen Kunsthal | ||
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | 45º Tilt | 1 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| Nightwood | 1936 | Djuna Barnes | Monochroming | 2 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | ||
| Song of Skins | Anxiety of Words: Contemporary Poetry by Korean Women | 2006 | Kim Hyesoon | Don Mee Choi | Vertical | 3 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House |
| Solea of the Simooms | Exobiology as Goddess | 2004 | Will Alexander | Skin on Skin | 4 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| Temple of the Golden Pavillion | 1956 | Yukio Mishima | Ivan Morris | Triangles | 5 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| Cloud's Nostalgia | Sorrowtoothpaste Mirrorcream | 2011 | Kim Hyesoon | Don Mee Choi | White Noise | 6 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House |
| Mimicry and Legendary Psychaesthenia | 1935 | Roger Caillois | John Shepley | Twicing | 7 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| If I die on the Road | 1970 | Virgilio Piñera | Julia Canal Paternina | Flowers | 8 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| Saint Martin's Four Wishes | 13th C. | unknown | Ned Dubin | Strobe | 9 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| Care of the Body | Los Angeles Times | 1926 | Rudolf Schindler | Back to Back | 10 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| Towards the Primeval Lightning Field | Towards the Primeval Lightning Field | 1998 | Will Alexander | (no protocol) | 11 | Body Over Flowing With Milk was Swollen Like a Jar | 16-02-19 | MAK Schindler House | |
| Horizon Sucker | 2019 | Slow Reading Club | [visual work] | 1 | Shelter or Playground | 09-02-19 | MAK Schindler House | ||
Horizon Sucker (2019) Two-channel video projection, woven satin ribbons, steel, plywood. Dur: 33 mins. Photo: Seth Lower. 
Horizon Sucker (2019) Two-channel video projection, woven satin ribbons, steel, plywood. Dur: 33 mins. Photo: Seth Lower. 
Horizon Sucker (2019) Two-channel video projection, woven satin ribbons, steel, plywood. Dur: 33 mins. Photo: Seth Lower. |
|||||||||
| The Georgics | 29 BC | Vergil | Arthur S. Way | 45º Tilt | 1 | Limbswoonundergraft | 25-05-18 | LTD Academy | |
| A History of Violets | 1965 | Marosa Di Giorgio | Jeannine Marie Pitas | Skin on Skin | 2 | Limbswoonundergraft | 25-05-18 | LTD Academy | |
| Brave New World | 1932 | Aldous Huxley | Twicing | 3 | Limbswoonundergraft | 25-05-18 | LTD Academy | ||
| XV | Procreation Sonnets | 1609 | William Shakespeare | Vertical | 4 | Limbswoonundergraft | 25-05-18 | LTD Academy | |
| The Whole Island | 1943 | Virgilio Piñera | Mark Weiss | Earplugs | 5 | Limbswoonundergraft | 25-05-18 | LTD Academy | |
| See Now Then | 2013 | Jamaica Kincaid | Skin on Skin | 6 | Limbswoonundergraft | 25-05-18 | LTD Academy | ||
| Cloud's Nostalgia | Sorrowtoothpaste Mirrorcream | 2011 | Kim Hyesoon | Don Mee Choi | White Noise | 7 | Limbswoonundergraft | 25-05-18 | LTD Academy |
| Ferdydurke | 1937 | Witold Gombrowicz | Danuta Borchardt | Triangles | 8 | Limbswoonundergraft | 25-05-18 | LTD Academy | |
| Don Quixote's Abortion | Don Quixote, which was a dream | 1986 | Kathy Acker | Monochroming | 9 | Limbswoonundergraft | 25-05-18 | LTD Academy | |
| Herland | 1915 | Charlotte Perkins Gillman | Puncturefold | 10 | Limbswoonundergraft | 25-05-18 | LTD Academy | ||
| Saint Martin's Four Wishes | 13th C. | unknown | Ned Dubin | Strobe | 11 | Limbswoonundergraft | 25-05-18 | LTD Academy | |
| See Now Then | 2013 | Jamaica Kincaid | Back to Back | 12 | Limbswoonundergraft | 25-05-18 | LTD Academy | ||
| Giovanni's Room | 1956 | James Baldwin | Monochroming | 1 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | ||
| White Phosphorous | Grave of Light | 2006 | Alice Notley | Word at a Time | 2 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | |
| Hmmm in The Woman Who Could Read the Mind of Dogs | It's Go in Horizontal | 1982 | Leslie Scalapino | Skin on Skin | 3 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | |
| A Sequence | It's Go in Horizontal | 1985 | Leslie Scalapino | Skin on Skin | 4 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | |
| Lecical of Taken Risk / Lexique de la prise de risque | The collection of A. Bergman and A. Salinas | unknown | unknown | Song | 6 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | |
| The Happy Hypocrite | 1896 | Max Beerbohm | Puncturefold | 7 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | ||
| Sonnet for Acoustic Feedback Looping and Transgender Media Representation | 2017 | Sam Rush | White Noise | 8 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | ||
| Cosmological Perspectives in Amazonia and Elsewhere | 1998 | Eduardo Vivieros de Castro | Twicing | 9 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | ||
| Yonec | 12th C. | Marie De France | Judith P. Shoaf | Strobe | 11 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | |
| Orlando | 1928 | Virginia Woolf | Back to Back | 12 | Whose Organs Were Those of a Leopard | 03-05-18 | Louise Dany | ||
| Don Quixote's Abortion | Don Quixote: which was a dream | 1986 | Kathy Acker | 45º Tilt | 1 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| The Perils of Yellow | Chroma: A Book of Colour | 1995 | Derek Jarman | Skin on Skin | 2 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| The Death of Pigs | Album zutique | 1871 | Leon Verlade & Paul Verlaine | Radja Hopkins Kaylor | Vertical | 3 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance |
| The Death of Lovers | Les Fleurs du mal | 1857 | Charles Baudelaire | Peter Low | Vertical | 4 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance |
| The Woman who was Fucked and Fucked Over for a Crane | 13th C. | Garin | Ned Dubin | Hatchet | 5 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| Purple Passage | Chroma: A book of Colour | 1995 | Derek Jarman | Skin on Skin | 6 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| The Space of Literature | 1955 | Maurice Blanchot | Ann Smock | Triangles | 7 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| The Whole Island | 1968 | Virgilio Piñera | Mark Weiss | White Noise | 8 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| The Warriors | 1969 | Monique Wittig | David Le Vay | Puncturefold | 9 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| Mimicry and Legendary Psychaesthenia | 1935 | Roger Caillois | John Shepley | Twicing | 10 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| Saint Martin's Four Wishes | 13th c. | unknown | Ned Dubin | Strobe | 11 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | |
| Nightwood | 1936 | Djuna Barnes | Back to Back | 12 | AAGGINR | 03-11-17 | Beursschouwburg / Veem House for Performance | ||
| Sea, Sea Rider | Trout Fishing in America | 1967 | Richard Brautigan | 45º Tilt | 1 | (intimacy) | 24-09-17 | La Loge | |
| Beam 30: The Garden | ARK | 1996 | Ronald Johnson | Word at a Time | 2 | (intimacy) | 24-09-17 | La Loge | |
| Giovanni's Room | 1956 | James Baldwin | Skin on Skin | 3 | (intimacy) | 24-09-17 | La Loge | ||
| The Writing of Stones | 1966 | Roger Caillois | Barbara Bray | Earplugs | 4 | (intimacy) | 24-09-17 | La Loge | |
| Giovanni's Room | 1956 | James Baldwin | Skin on Skin | 5 | (intimacy) | 24-09-17 | La Loge | ||
| Composing Listening | 2011 | Bill Dietz | (no protocol) | 6 | (intimacy) | 24-09-17 | La Loge | ||
| The Yellow Wallpaper | 1898 | Charlotte Perkins Gillman | Puncturefold | 7 | (intimacy) | 24-09-17 | La Loge | ||
| The Principal of Cladding | 1898 | Adolf Loos | John H. Smith & Jane O. Newman | Twicing | 8 | (intimacy) | 24-09-17 | La Loge | |
| Giovanni's Room | 1956 | James Baldwin | Brackets | 9 | (intimacy) | 24-09-17 | La Loge | ||
| The Woman Who was Fucked and Fucked Over for a Crane | 13th C. | Garin | Ned Dubin | Strobe | 10 | (intimacy) | 24-09-17 | La Loge | |
| Kissing Architecture | 2011 | Sylvia Lavin | Back to Back | 11 | (intimacy) | 24-09-17 | La Loge | ||
| The Lesbian Body | 1973 | Monique Wittig | David Le Vay | 45º Tilt | 1 | Before the Codes | 13-05-17 | Palais de la Dynasty | |
| Hammer / Tulip | 2014 | Cody-Rose Clevidence | Word at a Time | 2 | Before the Codes | 13-05-17 | Palais de la Dynasty | ||
| Children of Our Age | Poems New and Collected | 1988 | Wislawa Szyborska | Stanislaw Baranczak & Clare Cavanagh | Vertical | 3 | Before the Codes | 13-05-17 | Palais de la Dynasty |
| No Island but Other Connections | 2017 | Enrico Malatesta | Earplugs | 4 | Before the Codes | 13-05-17 | Palais de la Dynasty | ||
| Thomas the Obscure | 1941 | Maurice Blanchot | Robert Lamberton | Strobe | 5 | Before the Codes | 13-05-17 | Palais de la Dynasty | |
| If I die on the Road | 1970 | Virgilio Piñera | Julia Canal Paternina | Flowers | 6 | Before the Codes | 13-05-17 | Palais de la Dynasty | |
| The Lesbian Body | 1973 | Monique Wittig | David Le Vay | Skin on Skin | 7 | Before the Codes | 13-05-17 | Palais de la Dynasty | |
| Story of the Eye | 1928 | Georges Bataille | Joachim Neugroschal | White Noise | 8 | Before the Codes | 13-05-17 | Palais de la Dynasty | |
| The Politics of Translation | Outside in the Teaching Machine | 1993 | Gayatri Chakravorty Spivak | Back to Back | 9 | Before the Codes | 13-05-17 | Palais de la Dynasty | |